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The Chrysler Corporation built three generations of Hemi engines. The first generation was known as the Firepower engine and was manufactured from 1951-1958. The second generation Hemi was built from 1964-1971, while the third and current generation began in 2003. It should be noted that Chrysler also designated the four cylinder Mitsubishi 2.6L engine as a Hemi. The first run of Hemis finished out in 1958 with the 390hp 392-cid. The company killed the engine because it was heavy and expensive as well as a bit complex to manufacture.

In the 1960's The company was bitten again by the NASCAR bug and wanted to again dominate drag racing. Chrysler went to work and came up with another incarnation of the Hemi, this one based on 413/426 wedge-head engines. The 426 Hemis were installed and debuted in 1964 sweeping the top three spots at the Daytona 500 in February of that year. The stock car racing Hemis had a single four barrel on top of a dual plane high rise intake manifold used with a four speed manual gearbox. The drag racing version featured ram tuned aluminum induction systems with dual quads. These early models also made use of the torqueflite automatic or four speed push button transmissions.

The 1964 426 Hemi is bowl shaped in appearance, hence the name Hemi, which is short for hemispherical. The combustion chamber allows for angled rather than side by side valve arrangement, which creates more space inside the chamber roof. More space enables the use of bigger valves. It also straightens the airflow passage through the chamber head. In other words, the better the airflow, the more power that can be generated from piston displacement. In order to facilitate complete combustion, the spark plug is located at or near the center of the chamber. Experts say it is best to used dome topped pistons in order to maximize compression ration. While Chrysler is the only manufacturer to use the name Hemi, nearly all engine manufacturers offer similar design elements.

The 426 Hemi head has intake and exhaust valve stems pointing in different directions. This configuration mandates a larger cylinder head as well as a complex rocker arm geometry in both the cam in block and the overhead cam engines. Hemi combustion chambers lack the so called quench area found in wedge combustion chambers. What this means is that the hemi engine is more sensitive to gasoline fuel octane, meaning the higher the octane the better the engine runs.

William Jason publishes a muscle car enthusiasts blog where you can read his latest article about 1969 muscle cars.

Twenty Best Coffee Table Books Ever

A coffee table book is a hardcover book that is intended to sit on a coffee table or similar surface in an area where guests sit and are entertained, thus inspiring conversation or alleviating boredom. They tend to be oversized and of heavy construction, since there is no pressing need for portability. Subject matter is generally confined to non-fiction, and is usually visually-oriented. Pages consist mainly of photographs and illustrations, accompanied by captions and small blocks of text, as opposed to long prose. Since they are aimed at anyone who might pick the book up for a light read, the analysis inside is often more basic and with less jargon than other books on the subject. Because of this, the term "coffee table book" can be used pejoratively to indicate a superficial approach to the subject.

David R. Brower is sometimes credited with inventing the "modern coffee table book". While serving as executive director of the Sierra Club, he had the idea for a series of books that combined nature photography and writings on nature, with, as he put it, "a page size big enough to carry a given image's dynamic. The eye must be required to move about within the boundaries of the image, not encompass it all in one glance." The first such book, "This is the American Earth", with photographs by Ansel Adams and others and text by Nancy Newhall, was published in 1960; the series became known as the "Exhibit Format" series, with 20 titles eventually published.

Here are the twenty best coffee table books ever:

1) Life: 70 Years of Extraordinary Photography

This collection, a 70-year retrospective, presents a history in photos, highlighting the most famous, moving and beautiful pictures from the magazine, including classics by Alfred Eisenstaedt, Dorothea Lange, Margaret Bourke-White, and Irving Penn. Divided into sections covering the presidency, Hollywood, war, science and nature, culture, sport and "fun," this volume packs in a huge assortment of subjects and emotions. Of particular interest is the chapter of "Photo Essays," a pioneering Life feature that revolutionized the field of photojournalism, capturing stories through image sequences and small blurbs; included are provocative stories such as the plight of German refugees in 1945, Heroin use in the '60s and Larry Burrows' intimate portrait of the Vietnam war, which has been called "the greatest photo essay ever made."

2) Ansel Adams: 400 Photographs

ANSEL ADAMS: 400 PHOTOGRAPHS presents the full spectrum of Adams' work in a single volume for the first time, offering the largest available compilation from his legendary photographic career. Beautifully produced and presented in an attractive landscape trim, ANSEL ADAMS: 400 PHOTOGRAPHS will appeal to a general gift-book audience as well as Adams' legions of dedicated fans and students. The photographs are arranged chronologically into five major periods, from his first photographs made in Yosemite and the High Sierra in 1916 to his work in the National Parks in the 1940s up to his last important photographs from the 1960s. An introduction and brief essays on selected images provide information aboutAdams' life, document the evolution of his technique, and give voice to his artistic vision. Few artists of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Adams' vision and lifetime of hard work that a book of this scale can be compiled. ANSEL ADAMS: 400 PHOTOGRAPHS is a must-have for anyone who appreciates photography and the allure of the natural world.

3) The Americans by Robert Frank

Armed with a camera and a fresh cache of film and bankrolled by a Guggenheim Foundation grant, Robert Frank crisscrossed the United States during 1955 and 1956. The photographs he brought back form a portrait of the country at the time and hint at its future. He saw the hope of the future in the faces of a couple at city hall in Reno, Nevada, and the despair of the present in a grimy roofscape. He saw the roiling racial tension, glamour, and beauty, and, perhaps because Frank himself was on the road, he was particularly attuned to Americans' love for cars. Funeral-goers lean against a shiny sedan, lovers kiss on a beach blanket in front of their parked car, young boys perch in the back seat at a drive-in movie. A sports car under a drop cloth is framed by two California palm trees; on the next page, a blanket is draped over a car accident victim's body in Arizona.

4) Norman Rockwell 332 Magazine Covers

Although technically Norman Rockwell was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was famliar—astonishingly so—and at the same time unique. Rockwell best expressed this vision of America in his justly famous cover illustrations for magazines like The Saturday Evening Post. 332 of these cover paintings, from beloved classics like "Marbles Champion" to lesser-known gems like "Feeding Time," are reproduced in stunning full color in this large-format volume, which is sure to be treasured by art lovers everywhere.

5) Revelations by Diane Arbus

Muscle men, midgets, socialites, circus performers and asylum inmates: in the 1950s and '60s, photographer Diane Arbus (1923-1971) cast her strong eye on them all, capturing them as no one else could. Her documentary-style photos of society's margin-walkers were objective and reverential, while she often portrayed so-called normal people looking far more freakish than the freaks. Her powerful work was well-received in its day. Arbus received Guggenheim Fellowships in 1963 and 1966 and was included in a major show at MOMA in 1967. But her work entered the realm of near-myth after her 1971 suicide.

6) Vanity Fair: The Portraits: A Century of Iconic Images

Vanity Fair magazine has a reputation as one of the preeminent showcases for portraits in the world, and this book gathers together a good chunk of them in all their glossy, artificial splendor. There's almost as much celebrity behind the lens as in front of it: Edward Steichen, Herb Ritts, Mario Testino, David LaChapelle and, of course, Annie Leibovitz are all included, and the portraits themselves amount to a who's who of culture and politics, with the quality of the images justifying the inclusion of the occasional lesser-known figures. The photographs have been arranged to supply the reader with subtle (and not so subtle) visual and cultural frisson: what are we meant to think when Joseph Goebbels is juxtaposed with Richard Perle? In a face-off between Rob Lowe and Louise Brooks, who has the most glamorous jaw line? For posing questions such as this, and for the production values and sheer scale, not to mention introductory essays by Graydon Carter, Christopher Hitchens, Terence Pepper and David Friend, this is a book that will no doubt be adorning the coffee tables of the world's culture brokers for many years to come.

7) Henri Cartier-Bresson: The Modern Century

Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson-including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material-featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines-will revolutionize the study of Cartier-Bresson's work.

National Geographic: The Photographs

This stunning volume was the gift book of the year when it first published, and the images that grace its pages remain iconic. From the famous Afghan girl whose haunting green eyes stare out from the book's cover, and her poignant story that captured the world's interest, to award-winning photography culled from the Society's vast archives, The Photographs offers readers an inside look at National Geographic and a sharp-eyed view of the world. The book showcases the skill and imagination of such notable Geographic photographers as David Doubilet, William Albert Allard, Sam Abell, Jim Stanfield, Jodi Cobb, Jim Brandenburg, David Alan Harvey, and many more. They share their techniques, as well as personal and colorful anecdotes about individual images and their adventures in the field—sometimes humorous, sometimes terrifying, always vividly compelling. Author Leah Bendavid-Val writes about the photographers' achievements from technical, journalistic, and artistic perspectives.

9) A Photographer's Life: 1990-2005 by Annie Leibovitz

"I don't have two lives," Annie Leibovitz writes in the Introduction to this collection of her work from 1990—2005. "This is one life, and the personal pictures and the assignment work are all part of it." Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, William Burroughs, George W. Bush with members of his Cabinet–appear alongside pictures of Leibovitz's family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes made even more indelible through Leibovitz's discerning eye. The images form a narrative rich in contrasts and continuities: The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while she is working, and the public work resonates with the themes of her life.

10) The War: An Intimate History, 1941-1945 by Geoffrey C. Ward

This lavishly illustrated companion to the September PBS documentary series reduces the American side of WWII to the local and personal. Documentarian Burns (The Civil War) and historian Ward (The Civil War: An Illustrated History) foreground the iconic experiences of ordinary people, including a young girl interned in a Japanese camp in the Philippines, marines in the thick of combat in the Pacific and a fighter pilot who exchanges letters with his sweetheart. Their stories are full of anxiety and exhilaration, terror and pathos. (Sample vignette: a GI casually tosses pebbles into the skull of a Japanese machine-gunner, still upright and wide-eyed after the top of his head has been shot off). The authors' portrait of the home front glows with nostalgia—war bonds, scrap-metal drives, USO dances—but they also note racial tensions at a Mobile, Ala., shipyard and the bitterness of Japanese-American soldiers whose families were interned. In the background, Roosevelt and Churchill confer, Patton struts and growls, and arrows march across maps as the authors deftly sketch major campaigns and battles and offer tart criticism of inept generals. This visually appealing coffee-table book gives little idea of how and why America won, but a strong sense of what it felt like on the way to victory.

11) Portraits by Steve McCurry

Magnum photographer Steve McCurry never set out to take portraits. Critically acclaimed and recognized internationally for his classic reportage, over the last 20 years he has worked for the "National Geographic" and other publications on numerous assignments: along the Afghan border, in Baghdad, Beirut and the Sahel. McCurry's coverage of the monsoon won first prize in the World Press Awards, and was part of his portfolio when he was named Magazine Photographer of the Year in 1984. In 1985, McCurry photographed an Afghan girl for the "National Geographic". The intensity of the subject's eyes and her compelling gaze made this one of contemporary photography's most celebrated and best-known portraits. McCurry is now equally famous for his other portrayals of memorable faces that he has encountered while travelling throughout the world. Compelling, unforgettable and moving, McCurry's images are unique street portraits: unstylized and unposed snapshots of people that reveal the universality of human emotion.

12) CHINA: Portrait of a People by Tom Carter

There are more than 1.3 billion people in China. Besides the majority Han Chinese, the population includes 56 ethnic groups numbering over one hundred million. Over the course of 2 years and 35,000 miles, photojournalist Tom Carter captured it ALL on film. For their historical value alone, the 800+ photos in Portrait are priceless. Carter's anthropological-like study of China stands apart in its genre, as it focuses expressly on the PEOPLE of China. In addition to documenting the everyday life of "ordinary" people, Carter also backpacked to the most remote areas of China to observe reclusive ethnic minorities such as the red-turbaned Pai Yao minority of northern Guangdong and the resplendent Dong and Miao tribes of eastern Guizhou. From Inner Mongolian nomads to newlyweds in Hong Kong, from the teenage girl living in Chengdu dressed like an American punk rocker to the soot covered coal miner in Southern Shanxi, Carter's camera documented the complexity and diversity of China like no other book ever has (or likely ever will).

13) Los Angeles, Portrait of a City by David L. Ulin

From the first known photograph taken in Los Angeles to its most recent sweeping vistas, this photographic tribute to the City of Angels provides a fascinating journey through the city's cultural, political, industrial, and sociological history. It traces the city's development from the 1880s' real estate boom, through the early days of Hollywood and the urban sprawl of the late 20th century, right up to the present day. With over 500 images, L.A. is shown emerging from a desert wasteland to become a vast palm-studded urban metropolis. Events that made world news including two Olympics, Bobby Kennedy's assassination, and the Rodney King riots reveal a city of many dimensions. The entertainment capital of the world, Hollywood, and its celebrities are showcased along with many other notable residents, personalities, architects, artists, and musicians. The city's pop cultural movements, its music, surfing, health food fads, gangs, and hot rods are included, as are its notorious crimes and criminals. This book depicts Los Angeles in all its glory and grit, via hundreds of freshly discovered images including those of Julius Shulman, Garry Winogrand, William Claxton and many other superb photographers, culled from major historical archives, museums, private collectors, and universities. These are given context and resonance through essays by renowned California historian Kevin Starr and Los Angeles literature expert David Ulin.

14) Everest: Mountain Without Mercy by Broughton Coburn

Broughton Coburn, a long-time resident of Nepal and a friend of David Breashears, was commissioned to write a book about the filmmaking expedition, the tragedy on Everest, and the mountain itself. He has more than succeeded with Everest: Mountain Without Mercy, a taut recounting of disaster and triumph at 29,000 feet. But this book is about more than just mountain climbing; Coburn has also included fascinating information about Nepal, Buddhism, and the Sherpa culture, as well as the history of climbing Everest. He covers everything from the causes of altitude sickness to Nepal's increasing problems with deforestation, and through it all he weaves the story of that day in May when Everest again proved unpredictable--and deadly. For a white-knuckle climb to the top of the world's highest mountain, complete with stunning photographs, you can't do better than Everest: Mountain Without Mercy.

15) On This Earth: Photographs from East Africa by Nick Brandt

Nick Brandt depicts the animals of East Africa with an intimacy and artistry unmatched by other photographers who choose wildlife as their subject. He creates these majestic sepia and blue-tone photos contrasting moments of quintessential stillness with bursts of dramatic action by engaging with these creatures on an exceptionally intimate level, without the customary use of a telephoto lens. Evocative of classical art, from dignified portraits to sweeping natural tableaux, Brandt's images artfully and simply capture animals in their natural states of being. With a foreword by Alice Sebold and an introduction by Jane Goodall, On This Earth is a gorgeous portfolio of some of the last wild animals and a heartfelt elegy to a vanishing world.

16) The Sartorialist by Scott Schuman

Scott Schuman just wanted to take photographs of people on the street who looked great. His now famous blog ('the bellwether American site that turned photo blogging into an art form' - "New York Times") was an attempt to showcase the wonderful and varied sartorial tastes of real people - not only those of the fashion industry. The book is a beautiful anthology of Scott's favourite shots from around the world. They include photographs of well-known fashion figures as well as those shots of the anonymous passerby whose imagination and taste delight the viewer. From the streets of Rio to Bejing, Stockholm to Milan, these are the people that have inspired Scott and in turn, inspired designers and people of all ages, wages and nationalities with an interest in fashion. Intimately designed and created with Scott, the book is a handsome object in its own right, in full colour on hand-picked, quality paper.

17) SuicideGirls: Beauty Redefined

Suicide Girls - Beauty Redefined explores the Suicide Girl phenomenon from their start in 2001 to their websites one million unique weekly visitors today. This giant tome provides a timely look at the fascinating women who created and inhabit the SG community. With an introduction by SG founder, Missy Suicide and images of hundreds of SuicideGirls world-wide, this title shines a light on a new female aesthetic - a look reminiscent of vintage Betty Page and Bunny Yeager photos, but with a decisively 21st century edge. "There's no other place in the media to see girls (like these) who are tremendously smart and beautiful in their own way" says Missy, "Everywhere you look you just see the super-thin, super-tall, bleach blonde Baywatch babe. There are a lot of people out there who want to see a different kind of beauty."

18) Helmut Newton: Sumo

SUMO was a titanic book in every respect: a 480-page tribute to the 20th century's most influential, intriguing and controversial photographer, breaking records for weight and dimensions. Fifty people worked with Helmut and June Newton for three years to complete a book that weighed 30kg (66lbs). But size wasn't everything. Control and quality - printing, paper, binding - were all critical in making SUMO a worldwide publishing sensation, which is in many famous collections all around the world, including the Museum of Modern Art, New York. The original SUMO, edited by June Newton, featured over 350 pictures, most published for the first time, covering every aspect of Newton's outstanding career: from the stunning fashion images that influenced generations of younger photographers, to his powerful, erotic nudes and celebrity portraits. Also included is a booklet with a 'making of' section, detailing the meticulous selection process, and the trial and error, experiment and innovation that went into creating the original SUMO, the book that redefined the photographic monograph.

19) Last Day of Summer: Photographs by Jock Sturges

This is a beautiful body of work that I am proud to have in my book collection. Beyond the fact that they are expertly executed, Sturges' photographs are intimate, direct, and above all, honest. They hide nothing, and in fact reveal much - about the subject, photographer, and the viewer. They reveal a level of trust and understanding between photographer and subject that I challenge anyone to find anywhere else. And this is a critical aspect of Sturges work. He does not haphazardly choose subjects, moving from place to place with no long-term interest in the people he photographs. Rather, he will photograph the same people in the same places year after year, photographing the same individuals summer after summer, essentially creating an intimate photographic chronology of a person that may span decades. He is close to his subjects. And unlike so many other photographers, he is truly interested in the lives of these people, and more importantly, the people themselves.

20) Tulsa by Larry Clark

When it first appeared in 1971, Larry Clark's groundbreaking book Tulsa sparked immediate controversy across the nation. Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared. Originally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author, rare-book dealers sell copies of this book for more than a thousand dollars. Now in both hardcover and paperback editions from Grove Press, this seminal work of photographic art and social history is once again available to the general public.

THE END

About the Author

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Nick Jonas Works Up a Sweat in Miami Beach
• He's back from a U.K. trip where he was performing, but Nick Jonas wasn't just taking it easy in Miami. The teen star hit up Equinox South Beach for a private training session at the gym. According to onlookers, the singer did an all-over body workout but focused on his arms and his core - sweating it out for a full hour.

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